Can you tell it’s cold here in New Zealand? It’s not uncommon for me to want to generate some warmth through using a warm palette. This sketchbook study is a version of the work below. I had taken a video of this layered process but unfortunately my phone declined to cooperate. I will try again on my next composition.
I have come to realise the importance of experimentation, not just in the studio, but with life. I’m not talking about anything life threatening or physically painful, but just enough to push yourself out of the comfort zone. Why? Because stretching yourself in one area releases courage in another.
Experimentation in my arts practice shakes up my routine and forces me to reconsider my process as well as introducing me to new ways of discovering texture and mark making. Is it uncomfortable? – yes, does it always yield good results? – no, is it worthwhile? – absolutely!
The images below are those I considered worked, I used a mix of media; acrylic, pencil, pastel, ink, and watercolour with various bushes.
The image below did not work as a stand alone image, however, there is something in the washes of greens and the high horizon line, sitting next to the hard bristle strokes of the purple marks that I will be further exploring…nothing is lost.
Last year I attended an online workshop with Louise Fletcher an artist and tutor from Yorkshire in England. I am repeating this workshop this year. The six acrylic squares at the start of this post is part of the first exercise from her course, it is a great way of loosening up and having fun with acrylic.
I had the privilege of studying under the amazing Lyn Diefenbach an incredible pastalist based in Australia. This is the resulting piece, a riverway that feeds into Queen Charlotte Sound. Approximately 12″ x 14″ a mix of Art Spectrum, Rembrandt and Schmincke soft pastels on Colourfix board.
Following on from an earlier work, this time on large piece of Colourfix pastel board, still a little way to go. My challenge here was to use student grade soft pastels to see how much I would cheat and pick up the more subtle tones of my Schmincke or W&N pastels. So far I have more or less kept to my challenge but I’m really needing to push back the high value colour in a few areas and blend the edges and shadows. Will post this piece when completed.